Spitboy blazed trails for feminist musicians in the San Francisco Bay Area and beyond during their brief but impactful life, touring the United States, Europe, Australia, New Zealand, and Japan. Releasing records on labels such as Ebullition, Allied Recordings, and Bay Area punk institution Lookout Records, they stood solitarily against what, at the time, was an almost entirely male-dominated sub culture of punk and hardcore. Formed in response to the homogenized masculinity of the late 1980's and early 1990s scene, their brash and abrasive style of music was paired equally with their confrontational live shows, and unwillingness to tolerate preconceived gender roles and social norms within the punk scene, and American society at large.
Spitboy's legacy is just as powerful today as it was thirty years ago, and their lyrics - unfortunately - still as poignant. Though today, we now have words and names for the concepts they were writing about then: toxic masculinity, gender non-conforming. Concepts that are now mainstream in western culture. As Vique Simba writes in her liner notes for the discography, "I valued their lyrics, their politics, their sense of community, their ethics, their commitment to punk, and their art. I felt like they could change the world. I also felt like I could change the world. We need this. We will always need this."